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Popcultural form of neo-shamanism
Nesládková, Tereza ; Koudelová, Šárka Basjuk (referee) ; Mikyta, Svätopluk (advisor)
The central theme of my final thesis is contemporary secular spirituality. I am interested in the correlation between the general mood in the globalized society of the Euro-American world and the specific way of dealing with spirituality and mysticism. I assume that, as a result of the widespread feeling of insecurity, the desire to achieve the illusion of community and the need for an excess of order is a fundamental characteristic of our time. It is determined by a highly individualistic regime of contemporaneity, a time of excess spectacles, cynical indifference to reality and illusion. It is a time when visions are lacking and when goods and interpersonal relationships have a short lifespan. The formal form of this neo-spirituality in the context of pop culture also has a defining and telling value for me.
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Czech pop-music as a platform for debating women's sexuality
Bláhová, Andrea ; Kobová, Ĺubica (advisor) ; Kolářová, Kateřina (referee)
The thesis titled Czech Popular Music as a Platform for Thematization of Female Sexuality deals with young Czech female performers who, through the lyrics of their songs, interviews in the media, and performances at concerts, thematize the female experience. I analysed the selected song lyrics of five female performers, their interviews and notes from the field diary using qualitative content analysis and further interpreted the results in seven different thematic categories. The thesis consists of a theoretical and an empirical part. In the theoretical part, I mainly focus on defining post-feminism and post-feminist sensibility, popular culture and the perception of physicality in the environment of popular music. The empirical part consists of methodology, qualitative content analysis and subsequent interpretation.
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Volunteer Firefighters - a relic from the past or a phenomenon of today?
NOVÁKOVÁ, Michaela
Bachelor thesis called Volunteer Firefighters - a relic from the past or a phenomenon of today? follows up volunteer firefighters and their activities not only in the past, but also current times. This thesis looks into whether the volunteer firefighters department Dolní Žďár is still traditional folk culture or already popular culture. Concurrently is in this work tracked how this department has been changed through the times. It is separated between four parts. In the first one there are explained only basic concepts. The second one is about the history of firefighters. The third part is about a mentioned firefighters department in Dolní Žďár and about the history. The last part includes a separation of culture customs which they still maintain in the village.
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Possible Uses of Camp in Interpretation of Czech Contemporary Cultural Background
DEMETER, Peter
Proposed dissertation is focusing on specific eccentric aesthetics based on hyperboles, ambivalent meanings and ironic attitude, which in Anglo-American background is so called camp derived from French. Camp origin can be found on the court of Louis XIV, where we can notice passionate tries to cultivate affected court-style culminating in baroque metaphor of the world as a theatre. Due to impact of modernity and postmodernity, scope of the camp extended to various cultural spheres and phenomenon began to corelate through its eccentricity with common marginality, respectively with something what is different from "normality" and "genuineness" also settled schemes of perception or ways of historical reflection. Goal of proposed dissertation is based on theoretical-historical interpretations to trace mentions of camp (mainly in literature) with focus on Czech background, where its rich interpretational potential can clarify most of social-cultural tendencies.
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Folklore Movement as a Bridge between Folk Music and Other Worlds
Kratochvíl, Matěj
Folklore movement in the second half of the 20th century played several roles. It was a tool of propaganda but at the same time a means to preserving tradition or original art form. One of its roles, however, remains somewhat aside the main focus. As the original forms of folk music and dances were disappearing, the revival of them through performance by folk ensembles became the main, and often the only way of bringing the traditions to wider public. This was contributed to by interconnection of folk movement with mass media and recording industry. Through these channels the folk music reached musicians of various genres, who were thus introduced to the sound of folk music from Bohemia, Moravia and Silesia. Based on their impressions, some of these musicians then decided to include the folk components in their own compositions. The result is a number of projects and recordings, where folk elements are mixed with jazz, rock, ballads or electronic music. The paper attempts to present possible answers to the question to what extent the folklore movement, as an institutionalised form of reviving traditional culture, influenced acceptance of this culture in other areas of music. The research, which forms the base of this contribution, analyses recordings and presents interviews of musicians from varied areas and of different generations.
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Sex robotics: humanization, sexualization and genderization of sexbots
Nováková, Petra ; Dvořáčková, Jana (advisor) ; Kobová, Ĺubica (referee)
The diploma thesis focuses on the analysis of tendencies to humanize modern technologies, i.e. the process of assigning human attributes and characteristics, roles and features to machines, despite the fact that machines are of inorganic origin, created artificially by man and thus inherently asexual. In the case of sexual technologies and in the field of sex robotics in particular, there is not only genderization but also the sexualization of humanoid- looking machines such as the so called sexual robots or sexbots. The resulting design reflects the binary understanding of gender and stereotypes associated with gender. The process of humanization is analyzed in the context of contemporary popular culture and post-humanistic theories of the study of human-robot relations, while also taking into account the binary understanding of gender and the categories of masculinity and femininity. Popular culture is thus improtant not only in regards to the development of sexbots but also in terms of acceptance by the users. Attention is paid to the possible positive and negative consequences of engaging with sexbots on the user int he contxt of the apparent human ability to form emotional connections to technological artifacts. Key words Technology, robot, sex, artifical inteligence, sexbot, sex doll, popular...
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Audience perception of feminist motifs in The Handmaid's Tale TV series
Machová, Lucie ; Fousek Krobová, Tereza (advisor) ; Vochocová, Lenka (referee)
This master's thesis explores the role of feminist ideology in audience experiences across pop culture genres using the example of the Czech audience of the American television series The Handmaid's Tale (2017). In academic debate, this title is associated with the existence of a relatively new trend of feminist perspectives penetrating popular culture, as well as with the establishment of the so-called female-centric TV series genre, which is characterised by a focus on women's experience and position, and thus on feminist themes. The aim of this thesis is to obtain findings on how representatives from the Czech audience interact with this phenomenon, namely the audience situated in an environment where there is a stronger tradition of anti- feminist attitudes. The qualitative research is based on the theory of active audiences and is derived from the analysis of six semi-structured in-depth interviews using the grounded theory method. The purpose of the thesis is to discover the different ways in which the respondents perceive feminist motifs in The Handmaid's Tale and how they reflect on them in a real social context, consequently in relation to their personal attitudes towards feminism. The research concludes that the ways in which respondents recognize the feminist themes of the series have...
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The Influence of RuPaul's Drag Race on the Drag Subculture in the Czech Republic
Šlahařová, Eliška ; Reifová, Irena (advisor) ; Vochocová, Lenka (referee)
The master's thesis The Influence of RuPaul's Drag Race on the Drag Subculture in the Czech Republic is concerned with the relationship between the American reality TV show RuPaul's Drag Race and the current state of the Czech drag and travesti scene. The main chosen research method is an ethnographic analysis of a series of interviews with drag and travesti performers. The theoretical part aims to provide the sociocultural context to the theme of this thesis; specifically the introduction to queer theory and an a summary of representation of drag and travesti in the popular culture of 20th and 21st century. Furthermore, it introduces RuPaul's Drag Race as a cultural phenomenon along with its brief history, an outline of its international sociocultural influence and current critiques. Finally, it describes the Czech travesti and drag scene including its historical development, current status and the relations between both scenes. The practical part presents the results of the ethnographic analysis of the 14 interviews conducted with Czech drag and travesti performers, focusing on specific phenomena relating to RuPaul's Drag Race, that are subsequently interpreted within the overarching thematic units. The final chapter applies the findings on the theoretical aparatus presented in the first part of...
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